What to do this weekend in Prague: Best events for Feb. 27 to March 1

Dutch couple Yvette and Boudewijn met in Prague in the early '90s and proceeded to build one of the more idiosyncratic surveys of Czech post-revolutionary painting, despite not being insiders and not speaking Czech. Their Sublime Hyacinth collection focuses exclusively on Czech artists (Nikl, Rittstein, Císařovský, Bolf) and captures three decades of a scene building itself from scratch with no infrastructure, no market, and maximum chaos.

La Gare's two-week oyster showcase presents the mollusk three ways: gratinéed with mushrooms and watercress, gratinéed with hollandaise mousse and caviar, or paired raw with cantaloupe and Bayonne ham. Enjoy in a former train station turned French brasserie.

Manifesto Anděl imports Seoul's soul for a weekend of Hangul calligraphy workshops, K-pop dance classes with Moante, traditional ttakji and konggi games, and plenty of bubble tea to go around. Street food vendors (Basak, Matzip, Bab Rýže, Cafe Banhada) supply the fuel, and you'll get a taste of K-Beauty with Sunday's color analysis workshops, revealing your seasonal palette in both English and Czech.

Michigan screamo veterans La Dispute return after six years of silence with "No One Was Driving the Car," an album inspired by Paul Schrader's First Reformed and the apocalyptic threat of autonomous vehicles gone rogue. Support comes from fellow American emo outfit Vs Self and UK post-rockers Pijn.

Ploom and the Brno-based Nebál collective take the ancient Slavic masopust tradition and pump it full of techno, neon, and performance art. The second edition moves from Holešovice Market Hall to Výstaviště's Křižík Pavilions with the theme "Roots & Riots": múltiple stages featuring secret theatrical spaces, acrobats, and masopust feasts.

Four years into Russia's full-scale invasion, Kinovarta orchestrates a five-day Ukrainian documentary showcase across Prague cinemas with all proceeds funding Ukraine through the Tym4Ukraine foundation. The lineup spans ecological devastation (Divia), amputee veterans summiting Kilimanjaro (Second Breath), the Kyiv Soloists ensemble's accidental exile tour, and Militantropos' fractured mosaic of survival under occupation.

Danish director Anders Thomas Jensen specializes in dark-hearted oddball cinema where weirdos, outcasts, and brutal absurdity collide with surprising emotional depth. Edison FilmHub's retrospective spans five days of Jensen's filmography, from early shorts to features like The Green Butchers and Riders of Justice. Timely programming, given Mikkelsen's imminent arrival in Prague to shoot Martin Scorsese's next film. Most screenings are English-friendly.

The Museum of Prague partnered with Designblok and designer Maxim Velčovský to build a cloud. MRAK occupies the museum's main building as a temporary intervention designed for the youngest visitors, prioritizing tactile exploration. When MRAK eventually floats away, it'll be replaced by Mraveniště: Prague (Anthill: Prague).