48 Hour Film Project Prague

The 48 Hour Film Project (48 HFP) is the world’s largest timed filmmaking competition. Filmmakers have 48 hours to make a 4-7 minute film based on a given prop, character, and line of dialogue. Participants make the film in one weekend and less than a week later it is screened for a panel of judges. The concept came about in 2001, the brainchild of Washington, D.C. filmmaker Mark Ruppert. Since that first competition, over 300,000 people have participated in the filmmaking event, which now takes place every year at over 100 cities worldwide.

Local kick-off takes place on Friday evening of the 48 HFP weekend, where filmmakers gather for the announcement of the required elements at 19:00. The teams then pick a genre, which can range from drama to horror to mockumentary, sci-fi, superhero, or even a western. The full list of possible genres can be found here. As they are trying to write the script, filmmakers must assemble their cast and crew, track down equipment, locations, and anything else necessary to make their movie. The resulting films—which are amazingly varied, limited only by the imaginations of their creators—are screened October 11-12 to at Kino Lucerna, one of the longest running cinemas in Europe. An award ceremony will follow the last screening.

The high-profile judges are definitely an added attraction for the festival’s weekend warriors. Last year 31 teams, a mix of Czech and expats, novices and professionals, registered with over 400 filmmakers participating. “We think we’ll have many more teams this year as the competition has become much better-known in the Czech Republic after the success of our filmmakers,” says Ratner. She also attributes the festival’s increased visibility to solid coverage by the local media, adding that “The winning films screen on Nova Cinema, our main media partner, and on Voyo.cz.”

Last year’s Filmapalooza was held in Los Angeles at the TCL Chinese Theatre. Kristýna Drozdová, producer and team leader of the 2012 Prague winning team Láska, describes their Hollywood experience: “It’s great to be able to be a part of the film industry at such level at least for one weekend. It is amazing to be able to walk on Hollywood Boulevard and meet filmmakers from all around the world.” Jan “Opin” Pivoňka, the director of the winning film (Main Course), added that “It’s really inspiring, and it filled us all with energy for future.”

Pivoňka’s film was chosen as one of the best in the world, winning two prestigious awards at Filmapalooza, including the prize for Best Acting by a Female Lead (Katerina Pindejovà) and best use of prop. “Main Course was one of the strongest films we’ve seen over the years,” said Liz Langston, one of the founders of the 48 Hour Film Project. The film was chosen to screen at this year’s Cannes Film Festival as well as the Albuquerque Film & Media Experience in New Mexico. This success follows on the heels of No Country for Young Men, the winning Czech film from 2012, which was directed by Robin Kvapil and produced by Tomáš Měsťan. Their film also went far in the international competition, screening in a special presentation at NAB Show, an annual film and tv trade in Las Vegas.

With so many acclaimed film schools, FAMU in Prague or Filmová Akademie Miroslava Ondříčka in Písek, which produced last year’s winning team, it’s no suprise that the Czech Republic turns out so many world-class filmmakers. And the 48 HFP is proving to be an important stepping stone, says Ratner. “We’re very excited to see how in a short time our competition has become a very real way for filmmakers to flex their creative muscles and often jumpstart their careers,” she says. “We hear many times how the exposure, the contacts and the actual film that the filmmakers make during this very quick competition lead to offers for much bigger projects.”

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In my personal experience as a veteran filmmaker in the Los Angeles 48 HFP, one of the best things about the weekend is the camaraderie it engenders. It’s a fun and sleepless experience and the key to making a great film is to find a way for all the people on your team to gel. It’s a bit like going into battle, and if you don’t stay focused on the goal, you’ll end up one of those poor teams that hang by the dropoff location minutes before deadline on a Sunday night, cursing and waiting for their film to digitize out of Final Cut.